FILM: Transferred from a 35mm duplicate negative. The transfer took place at IVC in Burbank and utilized a pogle color-corrector employed on a RANK MARK III. Digital noise reduction (DVNR) was used, frame by frame, to eliminate scratches, dirt and bleeding. The colorist was Mike Volland.
SOUND: Both the movie and music & effects tracks were processed at IVC in Burbank. Artificial Stereo or surround effects were avoided.
SPECIAL FEATURE: We have isolated the music and effects tracks on the right analog channel due to the importance of this early Alfred Newman score.
Special Edition produced for laserdisc by CHARLES KISELYAK