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Added by bobbie_g
Cover by joe (78)

Last update: 11/03/2018

 [phpBB URL] 

RoboCop #311 (1987) (Uncut) [CC1463L]

Country  USA    
Street Date  20/11/1996
Publisher  Criterion
Price  49.95 USD

UPC  715515007856UPC=715515007856ISBN=1-5594-0749-2
I-S-B-N  1-5594-0749-2
Collection  Criterion Collection
Category  Sci-Fi

Color  Color
Length  103 min.
Sides  2
Chapters  27
Size  12"
Picture  Letterboxed
Ratio  1.66:1
Plastic  Transparent
Cover  Standard
Rot status  None reported
Your ratings
Comment  Please login/register!
Manufactured by  Kuraray



 Sound Encoding  Digital Tracks  Analog Tracks 
 Spoken Language  Subtitles 
English No subtitle 

 Mint Marks sample 
CC1463L-A01-K    0L180363
CC1463L-B01-K    018D0402

 Additional Information by joe (78)   29/09/2007 - Last update: 03/12/2008 

This unrated director's cut features an extended version of Mr Kenny being shot to s**t (bits) by ED-209 in the OPC boardroom (hence why ED 209's guns are smoking at the end, it ran out of bullets), and Murphy being tortuously shot by Clarence Boddicker, Emil, Nash, Minh and Johnson, which shows more of Rob Bottin's stunning FX.

From the back sleeve:

About the transfer: Robocop is presented in its director-approved aspect ratio of 1.66:1. This new digital transfer was created from the pristine 35mm interpositive with the original 35mm 2-track Dolby stereo magnetic master.

The last chapter is for colour bars.

 Additional Information by tucky66 (2)   11/03/2018 

  • New THX digital film transfer in its director-approved aspect ratio of 1.66:1, presented entirely in the full-feature CAV standard play format
  • Unrated Director's Cut, including excessively violent shots, cut from the theatrical release to avoid an X-Rating
  • Audio commentaries with director Paul Verhoeven, co-writer Ed Neumeier, producer Jon Davison, and RoboCop expert Paul Sammon on the analog tracks
  • Shooting RoboCop: Extensive still-frame supplement chronicling the production of RoboCop
  • A look at the special effects and creation of RoboCop
  • Storyboards and publicity stills, film-to-storyboard comparison